The Trouble With Forgetting

To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)

AA-PROXIMA-SUN

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

How Pjer Zalica Ripped

A man blows balloons until they burst and thus expresses his accumulated aggression.

Dan

WHAT IS THE BEST FOR HIM? HIMSELF? THEM? HER? A twenty-year-old young man sees himself as someone who struggles in social life. One day, while looking in the mirror,he sees a change in himself, and from then on, everything started to change.

A Certain Dream

A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...

Memoirs of a Strangler of Blondes

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Social Butterfly

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

Vestige

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

A Collection of Images From My Last Year of Naivety

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".

I Should Call Her

An overly anxious man mysteriously finds himself unable to leave a bathroom.

Leda + Swans

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Alchimie au rhodium

The Hunched Donkey

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Oh! My Mother

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Blue Bedroom

June has had the same dream every night for the past three months. Lorelai is worried something bad is going to happen. Things get weird.

Protanopia

After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.